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1. #5dtorgb vs adobe media encoder pro#
2. #5dtorgb vs adobe media encoder software#
3. #5dtorgb vs adobe media encoder Offline#
4. #5dtorgb vs adobe media encoder windows#

#5dtorgb vs adobe media encoder pro#

I'm in a huge fuckery where Premiere Pro CC 2019 keeps dropping linked media (mpeg2 and h.264) if/ when I reset preferences and/ or delete media cache. I am sure you probably have a good reason to do so. So I have to ask as to why you would be transcoding your h.264 files to ProRes in the first place. I am sure that many on this forum will attest to the fact that the stupidity of my questions knows no bounds. Apologies for the disruption.Īs most of you are aware by now, i am pretty much the king of stupid questions. I've filed the bug and asked our developers to investigate. Note that you need to restart After Effects after turning this option on or off, and you should purge the cache after the restart, otherwise previously cached frames from that footage will be used. The problem goes away when you disable the hardware-accelerated decoding option, which is enabled by default. Premiere Pro also appears to be affected by the problem as well (same technology in Premiere Pro the hardware acceleration option is in Preferences > Media.) Note that the hardware acceleration option is only available on macOS 10.13 and later.

#5dtorgb vs adobe media encoder windows#

The same samples do not reproduce the problem in After Effects on Windows 10. I do not reproduce this problem with any other H.264 footage, just the Canon 5D samples that I have. In more concrete terms: a 1920x1080 frame renders vertically scaled (squished) to 1920x952, with the last 128 rows filled with black. The bottom 128 pixels of the footage are black, and the footage is vertically scaled so that it fits within the cropped dimensions. mov footage when hardware-accelerated H.264 decoding is enabled on Mac. It appears that After Effects 16.0 (and Premiere Pro 13.0) are mis-sizing Canon 5D H.264. Restart After Effects, then purge the cache via Edit > Purge > All Memory & Disk Cache. Disable the "Enable hardware accelerated decoding" option in Preferences > Import. The Headless Leader at Adobe strikes again.

This place is a huge resource is a godsend to folks like me I'm way out on the bright side of nowhere here. In my research around the web I've read some positive feedback regarding Adobe Media Encoder my own tests yielded good results with MPEG Streamclip but AVID editors seem to swear by transcoding within AVID MC.In AME, I created an encoding Preset where I didn't select the "Match Source" tick box and instead set the Height & Width dimensions manually to 1920x1080. I have to transcode my entire project to DNxHD, so which application would you recommend for transcoding a batch of say 170 clips (avg 3.0GB per clip) so that I could then link via AMA and edit smoothly in AVID MC6? I've used everything from Compressor, Media Cleaner, MPEG Streamclip and Sorenson Squeeze to Aimersoft Video Converter, Grinder, 5DtoRGB and Adobe Media Encoder so my history tells me NOT to transcode my media via my NLE application.

#5dtorgb vs adobe media encoder software#

I've generally tried to use software to do what the software was designed for.what I mean specifically is that I try to use edit applications for editing and compression software for compression/transcoding etc. Thanks for the further clarification! so another question for you guys. (Note that 10-bit is even more compressed because while you are 10-bit, the data rate is the same as the 8-bit codec.) Most people using 29.97 or 59.94 projects find DNxHD 145 to be just fine, but you could also use 220 or 220x (10-bit) if you want. You can also pick whatever resolution you want, based on the amount of disk space and footage you have. I would certainly recommend the second method, and you'll have to decide whether you want to transcode or start editing immediately. This will create new files, but only the scenes you used (plus user-defined handles).

The advantage is that when you are done, you can take your finished sequence, relink to your AMA files, and then re-transcode at a higher resolution. Most people, after they Link, will TRANSCODE which will convert the AMA material into Avid MXF media at a desired resolution. It also is more cumbersome to edit, since your CPU has to deal with every frame in real-time to make it a more editor-friendly format.

#5dtorgb vs adobe media encoder Offline#

Avid does not manage your media, so the chance of it going offline is more likely. When you LINK TO AMA, you work with the footage in its native format. This is the historical method of using files in Avid. But that means the entire clip must be re-imported, even if only a few seconds were used in your sequence. Then, if a new resolution is needed, you need to Batch Import the necessary clips at the higher resolution. Files are converted to Avid MXF media at a defined resolution and managed by Avid. IMPORT refers to using the File > Import method to use media. Just so you understand, you're kind of mixing your terminology here.